Adventure in times of terror

This article follows the history of the idea of adventure in the Soviet Union, which started as a dream of the great communist adventure but two decades into the revolution turned into the nightmare of the Great Terror. Adventure was implicated in the violent realities of Stalinism through tropes of the adventure genre, such as the loneliness of the adventurer in a precarious world impenetrable by reason. Understanding this situation requires a focus on philosophies of both adventure and terror. For instance, Hegel's philosophy of adventure will help us to reveal features of the lived experience in times of terror, whilst Mikhail Ryklin's philosophy of terror sheds light on the significance of the adventure genre in the Soviet 1930s. This double focus allows articulation of a primary feature of violence that is often overlooked, namely, the fundamental reciprocity that structures it. In the Soviet context, we find historically neglected but critically important reflections on the relation between violence and adventure in the life and works of Lev Kopelev. We also find a unique deliberation on the dialectics of violence (and counter-violence) in Evgeni Shvarc's adventure tale The Dragon (1943) which can be fruitfully read in dialogue with Arendt's vital distinction between violence and power. Reconsidering these sources is an important task for today given that Russian politics has once again, 30 years after perestroika, regressed into mass violence

Adventure · Aesthetics · Art · Art history · Communism · Hegelianism · Literature · Political science · Politics · Sociology · Hannah Arendt's Political Philosophy · History · Law · Philosophy, Ethics, and Existentialism · Political Theology and Sovereignty

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