The first frame
A camera-less photographic encounter with the foetus
Datos Bibliográficos
| ID | 4442005 |
|---|---|
| Autores | Cherine Fahd (0000-0002-3404-1535, University of Technology Sydney, autor de correspondencia) |
| Año | 2024 |
| Volumen | 15 |
| Número | 1 |
| Páginas | 95-112 |
| Fecha de publicación | 2024-10-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Philosophy of Photography (JOURNAL) |
| Identificadores de la revista | ISSN: 2040-3682 • E-ISSN: 2040-3690 |
| Editorial | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/pop_00094_1 |
| OpenAlex | W4400206177 |
| Idioma | EN |
| Referencias citadas | 8 |
This article examines two first-hand encounters with the foetus to reflect on the familial, photographic and political dimensions of 3D and 4D foetal portraits. It examines the photographic status of foetal portraits as intimates of the family album while acknowledging their public meaning in reproductive politics. The article aims to situate 3D and 4D foetal portraits within photographic history, theory and practice by examining how these camera-less images align with photographic vision
Art · Epistemology · Photography · Political science · Politics · Portrait · Visual arts · Cinema and Media Studies · Computer Science · Historical Studies on Reproduction, Gender, Health, and Societal Changes · Law · Philosophy · Photography and Visual Culture
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |