Beethoven et le pianoforte
L'émergence d'une pensée des timbres comme dimension autonome du discours musical
Bibliographic Data
| ID | 4450164 |
|---|---|
| Authors | Didier Guigue (corresponding author) |
| Year | 1994 |
| Volume | 80 |
| Issue | 1 |
| Pages | 81 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Revue de musicologie (JOURNAL) |
| Journal identifiers | ISSN: 0035-1601 • E-ISSN: 1958-5632 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/947303 |
| OpenAlex | W2796444771 |
| Language | EN |
Art · Art history · Humanities · Piano · Music Technology and Sound Studies · Musicology and Musical Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |