Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Music in the Culture of the Renaissance

Bibliographic Data

ID4456670
AuthorsEdward E Lowinsky (corresponding author)
Year1954
Volume15
Issue4
Pages509
Publication date1954-10-01
Open AccessNo
TypeARTICLE
VenueJournal of the History of Ideas (JOURNAL)
Journal identifiersISSN: 0022-5037 • E-ISSN: 1086-3222
PublisherJSTOR (PUBLISHER)
DOI10.2307/2707674
OpenAlexW2313172775
LanguageEN
Citations received8

Of all cultural manifestations none has been so long and so consistently neglected by the historian of Western civilization as music. This may have been due on the one hand to the inaccessibility of early music to the layman and on the other to the preoccupation of the historian of music with the immediate and gigantic task of transcribing, editing, and analyzing the vast body of music that has come down to us from the early Middle Ages. The advent of recordings of old music1 and the beginnings of a musical historiography centered around the cultural life of the time 2 are slowly initiating a change which, it may be hoped, will be reflected in the work of the future historian of civilization.3 The interpretation of the Renaissance in particular has been subject to such sharply divergent views, the clash of opinions has been so violent,4 that the historian of culture cannot fail to remember that there is one body of evidence he has not taken into account: that is the evidence of music. He may seek an answer to these principal questions: does music occupy a place in Renaissance culture important enough to warrant the assumption that it has something to contribute to the understanding of that period? If it does, what are the changes and innovations in the music of the Renaissance and how do they relate to the surrounding culture? In other words: what criteria can be established that will allow a clear differentiation between the music of the Middle Ages and that of the Renaissance

Aesthetics · Art · Art history · Literature · The Renaissance · Historical Influence and Diplomacy · Musicology and Musical Analysis · Philosophy · Renaissance Literature and Culture

  • Music in the Myth of Venice

    Open Access•Ellen Rosand•Renaissance Quarterly•1977

  • Plague and Music in the Renaissance

    Rebecca Chiu, Remi Chiu•Plague and Music in the Renaissance•2017

  • Music, ritual and patronage at the Church of Our Lady, Antwerp

    Open Access•Kristine K Forney•Early Music History•1987

  • Perplex't Paths”

    Open Access•Blaine Greteman•Renaissance Quarterly•2009

  • Octave-generalized analysis of chord progressions

    Open Access•Richard Parncutt, Daniel Reisinger•Journal of New Music Research•2021

  • The renaissance mirror 1

    Richard M Crawford•Historical Studies Australia and…•1955

  • Music as a Model in Early Science

    Open Access•Jamie Croy Kassler•History of Science•1982

  • Culture and the Digital Copyright Chimera

    Open Access•Johnlee Scelba Curtis•International Journal of Cultural…•2006

Citations per year0.11
Citation span1955 - 2021 (67)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae