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Greek Origins and Organic Metaphors

Ideals of Cultural Autonomy in Neohumanist Germany from Winckelmann to Curtius

Bibliographic Data

ID4456695
AuthorsBrian E Vick, Brian Vick (corresponding author)
Year2002
Volume63
Issue3
Pages483-500
Publication date2002-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the History of Ideas (JOURNAL)
Journal identifiersISSN: 0022-5037 • E-ISSN: 1086-3222
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/jhi.2002.0028
OpenAlexW1996986002
LanguageEN
Citations received9
References cited8

That the educated classes of late eighteenth- and nineteenth-century Germany were increasingly captivated by images of both nationality and Greek antiquity is a fact long noted and long puzzled over. This seemingly strange confluence of cultural tendencies does, however, help explain why studying the drawn-out debates among German neohumanist scholars on the cultural origins of the Greeks ultimately offers a fresh perspective on certain problems of German national identity—in this case, on the ambivalent relationship to things foreign in that period of German history

Aesthetics · Ambivalence · Art · Autonomy · German · Greeks · Literature · Nationality · Period (music) · Perspective (graphical) · Political science · Sociology · Classical Studies and Philology · Classics · Contemporary and Historical Greek Studies · History · Law · Nietzsche, Schopenhauer, and Hegel · Philosophy · Psychology

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Unique citing works9
Citations per year0,5
Citation span2008 - 2025 (18)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 9

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