Classical, Christian, and Muslim Remains in the Construction of Imperial Seville (1520-1635)
Datos Bibliográficos
| ID | 4456840 |
|---|---|
| Autores | Amanda Jaye Wunder, Amanda Wunder (autor de correspondencia) |
| Año | 2003 |
| Volumen | 64 |
| Número | 2 |
| Páginas | 195-212 |
| Fecha de publicación | 2003-04-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Journal of the History of Ideas (JOURNAL) |
| Identificadores de la revista | ISSN: 0022-5037 • E-ISSN: 1086-3222 |
| Editorial | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/jhi.2003.0032 |
| OpenAlex | W2086175357 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 8 |
How were various strata of local history—Classical, Christian, and Muslim—incorporated into the building of imperial Seville (sixteenth and seventeenth centuries), and what was the impact of the critical approach to evidence developed in Renaissance Italy on actual urban projects? Three case-studies—of a noble palace, the Casa de Pilatos; of a public park, the Alameda de Hércules; and of a carpentry treatise by master builder Diego López de Arenas—reveal the malleable role of historical evidence in monumental construction projects based on classical and Christian ideals and demonstrate a more methodical use of evidence among artisans practicing traditional medieval craftsmanship
Ancient history · Archaeology · Art history · Carpentry · Classical antiquity · The Renaissance · Classics · Historical Art and Architecture Studies · Historical Studies of Medieval Iberia · History · Medieval and Early Modern Iberia
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,11 |
| Intervalo de citas | 2017 - 2017 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |