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A man for all seasons

Derrida-cum-'queer theory' or the limits of 'performativity

Bibliographic Data

ID4465231
AuthorsAlexander García Düttmann (corresponding author)
Year2009
Volume12
Issue3
Pages277-287
Publication date2009-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePostcolonial Studies (JOURNAL)
Journal identifiersISSN: 1368-8790 • E-ISSN: 1466-1888
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13688790903232385
OpenAlexW2009571299
LanguageEN
Citations received1

This piece is a critical and polemical discussion of the concept of performativity as used in some quarters of ‘queer studies’. It shows that the usage Judith Butler and her followers make of this concept relies heavily on the work of Jacques Derrida but fails to do justice to it. Such lack of rigour manifests itself in a lack of philosophical originality and thus leaves ‘queer studies’ in a rather precarious position

Aesthetics · Critical theory · Economic Justice · Epistemology · Originality · Performativity · Political science · Queer · Queer theory · Rigour · Social science · Sociology · Art, Politics, and Modernism · Foucault, Power, and Ethics · Gender Studies · Law · LGBTQ Health, Identity, and Policy · Philosophy

  • Deconstruction theory and queer theory

    Open Access•Amar Bahadur Sherma•Cogent Arts and Humanities•2026

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1
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