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The existential signs through the works of Alev Ebuzziya Siesbye

Bibliographic Data

ID4475011
AuthorsAyse Ece Onur (0000-0002-1013-2555, Near East University , Nicosia , Cyprus, corresponding author), Erdal Aygenc (0000-0002-4351-3629, Near East University , Nicosia , Cyprus)
Year2023
Volume2023
Issue250
Pages235-250
Publication date2023-03-28
Open AccessYes
TypeARTICLE
VenueSemiotica (JOURNAL)
Journal identifiersISSN: 0037-1998 • E-ISSN: 1613-3692
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/sem-2022-0036
OpenAlexW4318049412
LanguageEN
Citations received1
References cited7

This article is about the signs during the creative stage of one's self-development. With the acceptance of the creative act as an existential phenomenon, the research considers the creative process as a genuine expression that has been actualized during one's search for his/her existence. An artist reflects his/her existential being through his/her work to construct an original self, by facing the world and within the struggle to construct the new self that stands beyond confusion. Tarasti's philosophical approach to "existential semiotics" will be applied to the existential being of the artist Alev Ebuzziya Siesbye, and her creative act will be analyzed by means of the modalities, the semiotic square of being/doing, and the sign processes evident in the field of art. Siesbye's existential personality and creative acts have been discussed by looking at what she has done in terms of her attitude on clay; her position in the contemporary art world and her artistic interrogations has been discussed in the existential being of the artist with the existential signs

Aesthetics · Construct (python library) · Epistemology · Existentialism · Expression (computer science) · Phenomenon · Semiotics · Sign (mathematics) · Sociology · Computer Science · Mathematics · Philosophy · Semiotics and Representation Studies · Sustainable Urban and Rural Development · Visual Culture and Art Theory

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Citations per year0.5
Citation span2024 - 2024 (1)
Highly citedNo

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