The spark, the spread and ethics
Towards an object-orientated view of subversive creativity
Bibliographic Data
| ID | 4475424 |
|---|---|
| Authors | Oli Mould (0000-0001-5284-406X, Royal Holloway University of London, corresponding author) |
| Year | 2019 |
| Volume | 37 |
| Issue | 3 |
| Pages | 468-483 |
| Publication date | 2019-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Environment and Planning D Society and Space (JOURNAL) |
| Journal identifiers | ISSN: 0263-7758 • E-ISSN: 1472-3433 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0263775818822830 |
| OpenAlex | W2908905186 |
| Language | EN |
| Citations received | 16 |
| References cited | 41 |
This paper articulates the subversive and political potential of an object-orientated view of urban creativity. Drawing upon object-orientated philosophies, it further develops the political and subversive potential of the creativity rhetoric to argue that nonhuman material agency is an important factor in propelling subversive behaviour into sustained political change. By focusing on the agency of objects and their ability to challenge our own behaviour in the city, the paper posits a three-stage articulation of subversive creativity; the spark, the spread and ethics. From this, the paper argues that creativity can be posited less as a mechanism of change that is all too often co-opted and reappropriated by normalising forces, but as a subversive force that has a potential to create alternative and sustained political subjectivities
Aesthetics · Agency (philosophy · Articulation (sociology · Creativity · Epistemology · Object (grammar · Political science · Politics · Social science · Sociology · SPARK (programming language · Adventure Sports and Sensation Seeking · Computer Science · Geographies of human-animal interactions · Law · Philosophy · Posthumanist Ethics and Activism
The Value of Art for Life
Bread dough as material metaphor for the maternal experience
DIY Skateparks as temporary disruptions to neoliberal cities
‘Never again means never again for anyone’
The idiocultural sensibilities of spothunting in action sports culture
Creative Subversion
Stuck Up, Peeled Off, Covered Up, Shared and Scribbled Out
Performing ‘blue degrowth’
Geography and ethics III
Co-governance of the ‘creative city’
Buildings as non‐human narrators
Creative geographies in the age of AI
Hostile prototypes
The hotelisation of the housing crisis
Provoked perplexity in live methods
Creels and catenary wires
Visions of the City
Alien Phenomenology, or What It's Like to Be a Thing
The London Spikes Controversy
Urban Subversion and the Creative City
Fair Play — Art, Performance and Neoliberalism
Universal Human Rights in Theory and Practice
Iconic architecture and capitalist globalization
Will the real Creative City please stand up
The New Spirit of Capitalism
World city actor-networks
Regulating and resisting queer creativity
Sites, truths and the logics of worlds
Transgression, Affect and Performance
Not Everyone Has (the) Balls
Towards an evental geography
Geography and post-phenomenology
Encountering Affect
Critical geographies and geography’s creative re/turn
The circumstances of post‐phenomenological life worlds
Towards a politics of whimsy
Force‐full
Undertaking recreational trespass
The politics of urban assemblages
Wounded cities
Aestheticizing Space
The Requirement of Having a Body
Hos in the garden
Thinking the Event
A 'building event' of fear
Struggling with the Creative Class
Playing with fear
Creativity and Geography
Baudrillard Unwound
The End of Geography and Radical Politics in Baudrillard's Philosophy
Collaborative challenges
Parkour, the City, the Event
Simians, Cyborgs, and Women
A geography of big things
Placing post-graffiti
Entangled
| Unique citing works | 16 |
|---|---|
| Citations per year | 2,29 |
| Citation span | 2019 - 2026 (8) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 16 |