The Ethics of Tourist Photography
Tourists' Experiences of Photographing Locals in Peru
Bibliographic Data
| ID | 4475684 |
|---|---|
| Authors | Caroline Scarles (0000-0001-8279-3689, University of Surrey, corresponding author) |
| Year | 2013 |
| Volume | 31 |
| Issue | 5 |
| Pages | 897-917 |
| Publication date | 2013-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Environment and Planning D Society and Space (JOURNAL) |
| Journal identifiers | ISSN: 0263-7758 • E-ISSN: 1472-3433 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1068/d4511 |
| OpenAlex | W2149380022 |
| Language | EN |
| Citations received | 19 |
| References cited | 56 |
Despite references to photography as a tool for consuming and constructing the tourist experience, little attention has been afforded to the effects of such practice. In this paper I therefore seek to unpack the ethics of the seemingly fleeting relationships between tourists and host communities that emerge during photographic encounters. Focusing on the emergent interactions between tourists and locals who are photographed, I explore the social and cultural values that underpin tourists' ethical considerations of whether or not to photograph local people. In doing so, I first contend that tourists draw upon a range of photographic strategies as they negotiate the moral maze of ethical considerations during photographic encounters and engagement with locals at destinations. Secondly, I suggest that the ethical considerations of tourist photographic practice find genesis in a web of partial knowledges, subjective interpretations, and reflexive performances of self and others. In doing so, I propose that tourist practice is driven by subjective interpretations of that which is appropriate, acceptable, or responsible with regard to photographing. Thus, I contend, an immanence of ethical consideration arises in the immediacy of the moment of photographing, as photography emerges as a complex fusion of both predictable and reactionary practices that align general ethical viewpoints with unpredictable ethical responses
Aesthetics · Ambivalence · Art · Autoethnography · Epistemology · Immediacy · Photography · Political science · Social science · Sociology · Tourism · Viewpoints · Visual arts · Diverse Aspects of Tourism Research · Geographies of human-animal interactions · Law · Psychology · Religious Tourism and Spaces · Social Psychology
Methods in Motion
Instagram Photography of Havana
Travel vlogging practice and its impacts on tourist experiences
Chinese voluntourist gaze
Spectacular sea turtles
On place, privacy, and ethics
From “Sacred Spaces” to “Selfie Spots”
Gazing” and “performing”
Visual informed consent
Looking with intention”
Understanding the airborne experiences of passengers with depression in long-haul air travels
Local impression of tourist photographing
Tourism, photography, Covid-19 and representations of nothingness
Selfie-taking as touristic looking
Gazes and faces in tourist photography
Staging portraits
Tourism and wildlife photography codes of ethics
Commodification of photogenic sites and rise of 'selfie parks' as tourist enclaves
Dark tourism and moral disengagement in liminal spaces
Tourism
Tourism Ethics
Hosts and Guests
Culture on tour
Touring Cultures
Culture by the Pound
Monitoring for a sustainable tourism transition
Community Attachment and Attitudes Toward Tourism Development
Attitudes and Perceptions Toward Tourism and Rural Regional Development
The Tourist Gaze 3.0
Interfacing the Environment
Picturing experience
Stalking the cannibals
The Family Gaze
On Ethics and Documentary
A typology of photographic representations for tourism
Sustainable community tourism development revisited
Authenticity and commoditization in tourism
Commoditizing culture
Towards an ethics platform for tourism
Tourism and Sustainability
The mutual gaze
How “they” see “us”
Beyond authenticity and commodification
Residents’ perceptions of community tourism impacts
Stranger-local interaction in photography
Host perceptions of sociocultural impacts
The Photographed Other
Residents' perceptions of the cultural benefits of tourism
Community decisionmaking participation in development
Photograph's role in tourism
Representing New Zealand
Out of it’
Performing Tourist Places
Deliver us from evil? Prospects for living ethically and acting politically in human geography
Tourism
The tourist gaze
Work, workfare, work/life balance and an ethic of care
Picturing practices
Rethinking the sociology of tourism
Travel photography
Torture and the Ethics of Photography
Becoming Tourist
Culture and Imperialism
Tourist Photography and the Reverse Gaze
Staged Authenticity
| Unique citing works | 19 |
|---|---|
| Citations per year | 1 |
| Citation span | 2007 - 2026 (20) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 19 |