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Dead Geographies-And How to Make Them Live

Bibliographic Data

ID4475865
AuthorsNigel Thrift (0000-0001-9698-6289, University of Bristol), John-David C Dewsbury (University of Bristol), John-David Dewsbury (University of Bristol)
Year2000
Volume18
Issue4
Pages411-432
Publication date2000-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEnvironment and Planning D Society and Space (JOURNAL)
Journal identifiersISSN: 0263-7758 • E-ISSN: 1472-3433
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1068/d1804ed
OpenAlexW2113904851
LanguageEN
Citations received272
References cited51

In this introductory paper-which follows the course of the papers included in this special issue-we argue that there are currently four main apprehensions of performance. The first of those apprehensions is provided by the work of Judith Butler on performativity. We then move to a second apprehension-the rather more general notion of performance found in nonrepresentational theory, using as an example the work of Gilles Deleuze. The third apprehension of performance is that taken from work found in the discipline of performance itself. Then, the fourth apprehension concerns the reworking of academic practices as performative

Apprehension · Autoethnography · Performative utterance · Performativity · Diversity and Impact of Dance · Qualitative Research Methods and Ethics · Theatre and Performance Studies

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Unique citing works272
Citations per year4,86
Citation span1970 - 2026 (57)
Citation velocitycurrent
Highly citedYes
Citation typesNeutral: 270

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