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Autonomy of art and the limits of aesthetics

Sreten Petrović's contribution to Marxist aesthetics

Bibliographic Data

ID4481205
AuthorsMarko Hočevar (0009-0008-6025-6354, University of Ljubljana, Slovenia, corresponding author)
Year2022
Volume171
Issue1
Pages78-90
Publication date2022-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThesis Eleven (JOURNAL)
Journal identifiersISSN: 0725-5136 • E-ISSN: 1461-7455
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/07255136221116385
OpenAlexW4292560261
LanguageEN
References cited9

The paper explores Sreten Petrović's contribution to Marxist aesthetics. Petrović developed his theory within the framework of the Yugoslav Praxis School, although he was not a member of it. Petrović followed Danko Grlić, a prominent member of the Praxis School, in explaining art as a specific emanation of praxis - free, creative, autonomous and self-emancipatory activity beyond the commodity form of capitalist society. Art was thus understood as the liberation and emancipation of Being and its essence. However, Petrović also introduced a novelty - he claimed that art can never be fully understood nor explained. According to him, the only true Marxist aesthetics, given our limited cognitive abilities and the capitalist imperative of producing commodities, would be to limit aesthetics to meta-aesthetics and affirm the 'critique of the aesthetic mind'. We argue that by limiting aesthetics to meta-aesthetics Petrović is following the young Wittgenstein and his proposition that the world is unintelligible to philosophy. Accordingly, we claim that Petrović's contribution should be seen as an important contribution to Marxist aesthetics

Aesthetics · Autonomy · Emancipation · Epistemology · Everyday Aesthetics · Marxist philosophy · Politics · Praxis · Sociology · Art, Politics, and Modernism · Critical Theory and Philosophy · Law · Philosophy · Political Economy and Marxism

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Citation velocityhistorical
Highly citedNo

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