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The Paradoxical Black Rock City

All Cities Are Mad

Bibliographic Data

ID4489803
AuthorsKerry Rohrmeier (0000-0002-5383-934X, San Jose State University), Paul F Starrs (0000-0001-6063-1072, University of Nevada, Reno)
Year2014
Volume104
Issue2
Pages153-173
Publication date2014-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGeographical Review (JOURNAL)
Journal identifiersISSN: 0016-7428 • E-ISSN: 1931-0846
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1111/j.1931-0846.2014.12015.x
OpenAlexW1963631595
LanguageEN
Citations received3
References cited26

Since 1986, Burning Man has evolved from an obscure bohemian San Francisco solstice celebration into the world's largest intentional community, anchored by annual burns on a playa in Nevada's Black Rock country. Participants embrace an ethos that radically challenges mainstream culture through Black Rock City's yearly (re)formation, negotiation, immolation, and deconstruction. Voicing curiosity, as humanists, in who we are, what we do, and why we do it, we examine rituals associated with this transitory yet international‐scale event. Such happenings imply a human need to seek clarity, dwell in close confines, and engage with a utopian desire for concerted communal participation. Yet, there exist historical‐cultural paradoxes associated with Burning Man, including steep entry barriers that reinforce an elite homogeneous population no longer representative of Burning Man's distinctive California roots

Aesthetics · Art · Elite · Environmental ethics · Ethos · Mainstream · Political science · Politics · Population · Sociology · Anthropological Studies and Insights · Culinary Culture and Tourism · Demography · Geographies of human-animal interactions · History · Law · Philosophy

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Unique citing works3
Citations per year0,5
Citation span2020 - 2023 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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