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Frantz Fanon, or the Difficulty of Being Martinican

Bibliographic Data

ID4494554
AuthorsDavid Macey (corresponding author)
Year2004
Volume58
Issue1
Pages211-223
Publication date2004-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHistory Workshop Journal (JOURNAL)
Journal identifiersISSN: 1363-3554 • E-ISSN: 1477-4569
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/hwj/58.1.211
OpenAlexW2061439741
LanguageEN
Citations received3
References cited2

Although often read as though it were an extension of the Afrocentric negritude associated with Senghor and others, the early work of Frantz Fanon (and especially his Black Skin, White Masks of 1952) is deeply rooted in the lived experience of a young man from Martinique, or at least the French West Indies, and is strongly influenced by that island’s history. Like that of Aimé Césaire, Fanon’s experience is that of someone who in legal and constitutional terms is French, but who is constantly forced to admit that he is not. His vocabulary, imagery and occasional references to music all reflect that experience and call into question the very idea of a coherent Martinican identity. Press coverage of the 150th anniversary of the abolition of slavery in the French colonies in 1848 amply demonstrates Fanon’s continued relevance to a French département where the effects of slavery can still be felt. Fanon can also be demonstrated to be one of the forebears of a new generation of writers from Martinique who proclaim themselves to be not European, African, or Asian, but Creole.

Aesthetics · Art · Art history · Creole language · Ethnology · French · Humanities · Identity (music) · Linguistics · Literature · Martinique · West indies · White (mutation) · African history and culture studies · Caribbean and African Literature and Culture · Colonialism, slavery, and trade · History · Philosophy

  • It's nation time! Jazz, raça e política nos escritos de Frantz Fanon e Amiri Baraka (1950-1970)

    Open Access•Antonio Carlos Araújo Ribeiro Júnior•Revista de História•2024

  • Willing Conscripts

    Open Access•Theo Williams•Global Intellectual History•2025

  • Fanon Revisited

    Open Access•Linda Lane, Hauwa Mahdi•Melanin Millennium•2013

  • Anthologie de la nouvelle poésie nègre et malgache de langue française

    Robert E Morsberger, Katharine M Morsberger et al.•Books Abroad•1971

  • Régisseur du rhum

    Edward Ousselin, Raphaël Confiant•World Literature Today•1999

Unique citing works3
Citations per year0,23
Citation span2013 - 2025 (13)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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