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Learning finance through fiction

Cecilia' and the perils of credit

Bibliographic Data

ID4495284
AuthorsJoyce Goggin (University of Amsterdam, corresponding author)
Year2015
Volume1
Issue1
Pages61-74
Publication date2015-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFinance and Society (JOURNAL)
Journal identifiersISSN: 2059-5999 • E-ISSN: 2059-5999
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2218/finsoc.v1i1.1371
OpenAlexW2303824031
LanguageEN
Citations received1
References cited12

This article discusses the rise of modern banking, the invention of credit and a related persistent orientation to the future inherent in credit-based economies, through the example of the novel which, as a literary form, came into being at roughly the same time. As a distinctly commercial genre and as a product of the financial revolution, novels ask readers to 'credit' the stories they tell with truthfulness, and to invest them with a particular form of credibility as significant narratives. At the same time, novels invite readers to imagine 'as if' scenarios and possible worlds in much the same way that borrowed capital enables people to construct life worlds based on resources not yet realised through investment in a speculative economy. Therefore, by examining how finance and gambling debts circulate in one particular text from the eighteenth century - Francis Burney's Cecilia - as a primary example of how credit and fictionalisation grew up together, this article argues that credit and risk feed into the narrative accounting and recounting of the text and articulate the affective structure of the financialised future that we have now inherited, and which informs how we understand ourselves as subjects, as well as how we interact with finance as a form of entertainment

Art · Credibility · Debt · Economics · Entertainment · Literature · Narrative · Political science · Computer Science · History · Housing, Finance, and Neoliberalism · Law · Finance

  • Introduction

    D S Lopes, I Faria et al.•Journal of Cultural Economy•2022

  • Genres of the Credit Economy

    Mary Poovey•Genres of the Credit Economy•2008

  • The rise of the novel

    Ian Watt•The rise of the novel•1967

  • Orality and Literacy

    Walter J Ong•Oralität und Literalität•1982

  • Critique of Judgment

    Immanuel Kant•Art and Its Significance•1994

  • Enlightenment and the Shadows of Chance. The Novel and the Culture of Gambling in Eighteenth-Century France

    Josue V Harari, Josue Harari et al.•Modern Language Notes•1993

  • The Gold Standard and the Logic of Naturalism

    Walter Benn Michaels•Representations•1985

Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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