The Burden of History
Bibliographic Data
| ID | 4495836 |
|---|---|
| Authors | Hayden V White (corresponding author) |
| Year | 1966 |
| Volume | 5 |
| Issue | 2 |
| Pages | 111 |
| Publication date | 1966-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | History and Theory (JOURNAL) |
| Journal identifiers | ISSN: 0018-2656 • E-ISSN: 1468-2303 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2504510 |
| OpenAlex | W2325854789 |
| Language | EN |
| Citations received | 73 |
For better than a century many historians have found it useful to employ a Fabian tactic against critics in related fields of intellectual endeavor. The tactic works like this: when criticized by social scientists for the softness of his method, the crudity of his organizing metaphors, or the ambiguity of his sociological and psychological presuppositions, the historian responds that history has never claimed the status of a pure science, that it depends as much upon intuitive as upon analytical methods, and that historical judgments should not therefore be evaluated by critical standards properly applied only in the mathematical and experimental disciplines. All of which suggests that history is a kind of art. But when reproached by literary artists for his failure to probe the more arcane strata of human consciousness and his unwillingness to utilize contemporary modes of literary representation, the historian falls back upon the view that history is after all a semi-science, that historical data do not lend themselves to free artistic manipulation, and that the form of his narratives is not a matter of choice, but is required by the nature of historical materials themselves. This tactic has a long record of success in disarming critics of history; and it has allowed historians to claim occupancy of an epistemologically neutral middle ground that supposedly exists between art and science. Thus, historians sometimes argue that it is only in history that art and science meet in harmonious synthesis. According to this view, the historian not only mediates between past and present; he also has the special task of joining together two modes of comprehending the world that would normally be unalterably separated. But there is mounting evidence that this Fabian tactic has outlived its usefulness, and that the position which it had formerly secured for the historian among the various intellectual disciplines has been placed in serious jeopardy. Among contemporary historians one senses a growing suspicion that the tactic functions primarily to block serious consideration of the more significant advances in literature, social science, and philosophy in the twentieth century. And the opinion seems to be growing among non-historians that, far from
Epistemology · Economic Theory and Institutions · History · Philosophy
Poland and its Eastern Neighbours
Thinking the past politically
History and Despotism, or
Whose regional expertise? Political geographies of knowledge in the European Union
Agriculture and Academe
On the usefulness and disadvantages of history for Hayden White
Ninguém ensina História… mas todo mundo aprende um pouco com ela
Making Politics Palatable
Hayden White's Philosophical History
Historiography as Cinematography
Boyz N the Hood
The Origins of Public Education
Some Neglected Philosophical Problems regarding History of Education
History as Organizing
History and Memory in the Dead Sea Scrolls
Raymond Aron and Liberal Thought in the Twentieth Century
The Historical Event
Cicero's Political Personae
Clio’s Modern Paradox Unraveled
"Theorizing the Writing of History or, "I Can't Think Why It Should Be so Dull, for a Great Deal of It Must Be Invention
Textbook Controversies and the Demand for a Past
Empiricism, epistemology and modern postmodernism
Scientific Knowledge and the Deep Past
Theory and Method
O fardo da história da (e na) dança
The Significance of the Past
Negotiating historical television in an era of political fragmentation and austerity
Pornoarchaeology of Kent Monkman’s Group of Seven Inches
Science in the service of melodrama
Introduction. Le Moyen Âge des sciences sociales
The Present as a Foreign Country
Beyond truth
Reflections
Who speaks for history
What’s a nice narrative historian like me doing at a conference like this
Globalizing Hayden White
Trauma, modernism, realism
Genre and history/historying
Transmedia history
The ethics of narrative
The canon in history
Hayden White as analytical philosopher of mind
All good stories’
Creating Cromwell
Understanding how people relate to their pasts
We are history
Rethinking History’s essential tension
The historian is present
Above, about and beyond the writing of history
Not the obstacle but the means’
History and peace education in Israel/Palestine
History manifested
The Beginnings of Modern Hebrew Literature
History, criminology and the ‘use’ of the past
Being a Historian
Timing and Rulership in Master Lu's Spring and Autumn Annals (Lushi chunqiu)
For a History That Free us From the “Spectres of History”
We are history
Aesthetic matters
A New Historiographical Path
Imaging and Imagining the Ef/feminine Body in the Historiography of Pre-modern Indian Art
The Shock of the “‘New’ (Histories)”
An Histoire Juridique Commune? Historiographical frames in European and Inter-American human rights narratives
The Hegemony of Genealogy
Hayden White y la «emergencia» del humanismo liberal
Ethical Responsibility and the Historian
Hayden White, Traumatic Nationalism, and the Public Role of History1
American Catholic Historiography
Quilombolas
The Frontiers of Memory
Revisiting History in Hayden White's Philosophy
The Hierarchy of Authorship in the Hermeneutics of the Daodejing
Pour une ' histoire ambitieuse
| Unique citing works | 73 |
|---|---|
| Citations per year | 1,26 |
| Citation span | 1968 - 2026 (59) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 60 |