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Balance" and "Excess" as Gibbon's Explanation of the Decline and Fall

Bibliographic Data

ID4496464
AuthorsGerald J Gruman (corresponding author)
Year1960
Volume1
Issue1
Pages75
Publication date1960-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHistory and Theory (JOURNAL)
Journal identifiersISSN: 0018-2656 • E-ISSN: 1468-2303
PublisherJSTOR (PUBLISHER)
DOI10.2307/2504258
OpenAlexW2325516614
LanguageEN
Citations received4

Every reader of the Decline and Fall has noticed how haphazardly Edward scattered his explanatory remarks amid cascades of glittering narrative prose. And every student has been dismayed by the apparent contradictions between the causative factors cited in one chapter and those he gave in another. It is not surprising that even such scholarly commentators as Low, Robertson and Morison concluded that did not have any overall pattern of interpretation concerning the causes of the decline and fall.1 They all felt that the great historian had kept close to the surface of events and had avoided any philosophic commitment as to cause and effect. J. B. Black, in his well-known study of eighteenth-century historiography, forcefully expressed this position when he wrote, Gibbon was content to set the puppets in motion; he left it to succeeding writers to penetrate behind the scenes and discover the laws which determined the course of events.2 In a recent monograph, Per Fuglum goes beyond previous writers in the formulation of negativist interpretations of the Decline and Fall.3 Not only does Fuglum agree with others that did not have any consistent explanation of the decline and fall, but he also claims that Gibbon's attitude to history actually precluded any such explanation. According to Fuglum's analysis, was objective, detached and empirical and had axe to grind He concludes that sees no meaning in history.5 hI marked contrast to Fuglum's interpretation of is the essay by Curtis.6 Although Curtis concedes that seems to be strangely muddled as to the exact causes of the decline and fall, he strongly rejects the idea that had no axe to grind. Curtis emphasizes the fact that was

Aesthetics · Art · Balance (ability) · Epistemology · Fall of man · Historiography · Interpretation (philosophy) · Literature · Meaning (existential) · Narrative · Period (music) · Political science · Politics · Historical Economic and Social Studies · History · Law · Philosophy · Psychology

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Unique citing works4
Citations per year0,07
Citation span1966 - 2005 (40)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae