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Chilean Cinema and the Abject
Bibliographic Data
| ID | 4500307 |
|---|---|
| Authors | Walescka Pino-Ojeda (0000-0001-7036-8845, Spanish Department and the New Zealand Centre for Latin American Studies at the University of Auckland, corresponding author) |
| Year | 2009 |
| Volume | 36 |
| Issue | 5 |
| Pages | 133-146 |
| Publication date | 2009-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Latin American Perspectives (JOURNAL) |
| Journal identifiers | ISSN: 0094-582X • E-ISSN: 1552-678X |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0094582x09341980 |
| OpenAlex | W2062087070 |
| Language | EN |
| Citations received | 6 |
| References cited | 5 |
Central to the analysis of a corpus of films dealing with current psychosocial conditions in Chile and the challenges of communal reconciliation, are the concepts of collective memory and social trauma. Chilean cinema of the postdictatorship reflects a society whose channels of communication have been broken, in which the past continues to be a source of contestation and dispute. The neoliberal system imposed in the early 1970s has significantly contributed to an isolation and disaffection that limit the possibilities of social healing. Cinema has assumed the role of recovering a sense of community by disallowing the privatization of pain fostered by the hegemonic political practices and discourses of the period of dictatorship by returning this suffering to the social arena from which it originated
Aesthetics · Art · Collective memory · Democracy · Dictatorship · Hegemony · Isolation (microbiology) · Literature · Movie theater · Period (music) · Political economy · Political science · Politics · Psychosocial · Sociology · Cinema History and Criticism · Law · Political and Social Dynamics in Chile and Latin America · Psychology
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,38 |
| Citation span | 2010 - 2026 (17) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 4 |