Filming Loss
(Post-)Memory, Subjectivity, and the Performance of Failure in Recent Argentine Documentary Films
Bibliographic Data
| ID | 4501173 |
|---|---|
| Authors | Michael J Lazzara (Latin American literature and culture at the University of California, Davis, corresponding author) |
| Year | 2009 |
| Volume | 36 |
| Issue | 5 |
| Pages | 147-157 |
| Publication date | 2009-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Latin American Perspectives (JOURNAL) |
| Journal identifiers | ISSN: 0094-582X • E-ISSN: 1552-678X |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0094582x09341978 |
| OpenAlex | W2129596419 |
| Language | EN |
| Citations received | 14 |
| References cited | 1 |
Two Argentine filmmakers of the postdictatorship generation have used the documentary as a space in which to question constructions of history, memory, and identity in the aftermath of traumatic and tumultuous experiences. Both projects foreground the idea of loss and the difficulties of writing a "truthful" version of the past when confronted by politically motivated "official histories," temporal shift, ideological change, lost referents, and missed experience. Andrés Di Tella's La televisión y yo (2003) questions the intersections among history, identity, and the media. In it the filmmaker's identity, fragile and tenuous, is shown to be based upon memories of the television programs of his youth that he missed because of his family's self-imposed exile during the Onganía regime. The film is a clear critique of globalization's effects on subjectivity. Albertina Carri's Los rubios (2003) highlights the tenuousness of her identity by exploring the gaps and silences of memory. It raises key questions about "postmemory" and generational shifts and, more particularly, about how those at a generational remove from the traumas of dictatorship can comprehend these traumatic historical events and their own relationships to them
Aesthetics · Art · Art history · Dictatorship · Epistemology · Film director · Identity (music) · Ideology · Key (lock) · Media studies · Movie theater · Political science · Politics · Sociology · Subjectivity · Gender Studies · History · Law · Memory, Trauma, and Commemoration · Memory, violence, and history · Philosophy · Spanish Culture and Identity
Estrategias para (no) olvidar
Archiving the Repertoire, Performing the Archive
Mulieres Litterarum
Women “Cronistas” in Colonial Latin America
“That Damned Mob of Scribbling Women”
Memory or postmemory? Documentaries directed by Uruguay’s second generation
Distanciando la memoria. El fracaso de la estrategia antitrauma en Los rubios (2003) de Albertina Carri
Remembering perpetrators through documentary film in post-dictatorial Chile
The Cambridge History of Latin American Women's Literature
Postmemoria y género
The Post‐Dictatorship Generation in Argentina, Chile, and Uruguay
Paine memorial
Fatherhood in the Context of Political Violence
The Politics of the Family
| Unique citing works | 14 |
|---|---|
| Citations per year | 0,88 |
| Citation span | 2010 - 2022 (13) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 13 |