A chromatic presence
"Barbara Hammer and "What You Are Not Supposed to Look At
Bibliographic Data
| ID | 4516710 |
|---|---|
| Authors | Maureen Catbagan (Independent Artist, Brooklyn, NY, USA), Amber Jamilla Musser (0009-0006-8413-8462, George Washington University, corresponding author) |
| Year | 2019 |
| Volume | 29 |
| Issue | 3 |
| Pages | 235-242 |
| Publication date | 2019-09-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Women & Performance a journal of feminist theory (JOURNAL) |
| Journal identifiers | ISSN: 0740-770X • E-ISSN: 1748-5819 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0740770x.2019.1671100 |
| OpenAlex | W2981212867 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
Since the 1970s, Barbara Hammer has been known for her photographs and experimental films chronicling and exploring lesbian experience. Since her 2006 diagnosis of ovarian cancer, she has ventured into an unflinching depiction of her own illness, aging, and dying. In “What You Are Not Supposed to Look At,” a 2014 collage series collaboration with Ingrid Christie, Hammer and Christie illuminate new modes of thinking about life, illness, and what we are describing the prismatic gaze: a mode of looking that subverts objectification and objectivity by positing sensuality, relationality, and spectacularity
Aesthetics · Art · Depiction · Epistemology · Gaze · Hammer · Media studies · Objectification · Psychoanalysis · Sociology · Television series · Visual arts · Engineering · European history and politics · Philosophy · Psychology
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |