Embodied avatars
Genealogies of black feminist art and performance
Bibliographic Data
| ID | 4516757 |
|---|---|
| Authors | Lilian G Mengesha (Theatre Arts and Performance Studies, Brown University), Lilian Mengesha (John Brown University, corresponding author) |
| Year | 2017 |
| Volume | 27 |
| Issue | 1 |
| Pages | 130-133 |
| Publication date | 2017-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Women & Performance a journal of feminist theory (JOURNAL) |
| Journal identifiers | ISSN: 0740-770X • E-ISSN: 1748-5819 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0740770x.2017.1282101 |
| OpenAlex | W2587456385 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
What happens when bodies that have historically faced dehumanizing practices mobilize objecthood? How must performance studies adjust its frame when the avant-garde begins from the position of ante
Aesthetics · Art · Embodied cognition · Sociology · Visual arts · Computer Science · Diversity and Impact of Dance · Posthumanist Ethics and Activism · Theatre and Performance Studies · Artificial Intelligence
| Citations per year | 0.13 |
|---|---|
| Citation span | 2018 - 2018 (1) |
| Highly cited | No |