Death sentences
From genesis to genre (Big Mama's parole)
Bibliographic Data
| ID | 4516883 |
|---|---|
| Authors | Dalton Anthony Jones (Bowling Green State University, corresponding author) |
| Year | 2015 |
| Volume | 25 |
| Issue | 1 |
| Pages | 59-81 |
| Publication date | 2015-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Women & Performance a journal of feminist theory (JOURNAL) |
| Journal identifiers | ISSN: 0740-770X • E-ISSN: 1748-5819 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0740770x.2014.994840 |
| OpenAlex | W1697120670 |
| Language | EN |
| References cited | 24 |
This paper offers a meditation on the life and music of Willie Mae Thornton in order to theorize the production of voice and affect as critical sites of capitalist exploitation. Reorganizing the current discourse on subsumption, I situate the endemic crisis of agency under neoliberal capital in relation to the historical harvesting of black labor, aesthetics and culture
Aesthetics · Archaeology · Art · Economics · Meditation · Social science · Sociology · Communication · Computer Science · History · Latin American and Latino Studies · Music History and Culture · Race, History, and American Society
Noise
Scenes of subjection
Between Men
Ain't I a woman
Black Metropolis
Blackness and Value
Micro-Politics of Capital, The
Conversations with James Baldwin
Marx beyond Marx
The Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll
Dead Men Printed
Blackness and Nothingness (Mysticism in the Flesh)
Exemplary Values
Black (W)holes and the Geometry of Black Female Sexuality
Change the World Without Taking Power
Monstrous Intimacies
On the Coloniality of Being
| Citation velocity | historical |
|---|---|
| Highly cited | No |