Choreographing copyright
Race, gender, and intellectual property rights in American dance
Bibliographic Data
| ID | 4517147 |
|---|---|
| Authors | Lizzie Feidelson (Brooklyn, NY, corresponding author) |
| Year | 2017 |
| Volume | 27 |
| Issue | 1 |
| Pages | 133-136 |
| Publication date | 2017-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Women & Performance a journal of feminist theory (JOURNAL) |
| Journal identifiers | ISSN: 0740-770X • E-ISSN: 1748-5819 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0740770x.2017.1282099 |
| OpenAlex | W2586106788 |
| Language | EN |
| Citations received | 16 |
Art · Copyright law · Dance · Epistemology · Intellectual property · Law and economics · Political science · Sociology · Visual arts · Diverse Musicological Studies · Diversity and Impact of Dance · Gender Studies · Law · Music History and Culture · Philosophy
Currents of Knowledge
Expanding Dance Archives
African Approaches to Intellectual Property
Renegades
Myself, Dancing
Democracy's Body, Neoliberalism's Body
Mapping Touring
Choreographic Ghosts
Correntes do Conhecimento
Watch and do what I do’
Artists or Slave Laborers? Performing Uncapturability in Burkinabe Performers’ Labor Rights Struggle in South Korea
Economies of Reperformance
Visceral Data for Dance Histories
The Role of Patents as a Gendered Chameleon
Principles of ownership and the transmission of knowledge in contemporary dance and Irish traditional music
Ownership, ontology, and the contemporary dance commons
| Unique citing works | 16 |
|---|---|
| Citations per year | 2,29 |
| Citation span | 2019 - 2025 (7) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 16 |