El Sonidero de la Azotea
Performance, Utopía Y Afectos en Tiempos De Confinamiento
Bibliographic Data
| ID | 4518138 |
|---|---|
| Authors | Camila Aschner Restrepo (Universidad de los Andes, corresponding author) |
| Year | 2022 |
| Issue | 79 |
| Pages | 78-93 |
| Publication date | 2022-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista de Estudios Sociales (JOURNAL) |
| Journal identifiers | ISSN: 0123-885X • E-ISSN: 1900-5180 |
| Publisher | Universidad de los Andes (PUBLISHER • VE) |
| DOI | 10.7440/res79.2022.05 |
| OpenAlex | W4206825203 |
| Language | EN |
| Citations received | 1 |
| References cited | 15 |
The sonidero, a landmark in the Mexican festive landscape, represents both the mobile sound system and its owner and creator. This article examines the case of El Sonidero de la Azotea and the way in which it adapted to the restrictions imposed in response to the COVID-19 pandemic. It does this with a view to theorizing about the place of the utopian and the affective in contemporary physical and virtual performance
Art · Humanities · Historical and Modern Theater Studies · Literature, Culture, and Aesthetics · Theatre and Performance Studies
Performance Remains
Affective communities
Affective arrangement
Ordinary Affects
Negotiating a Common Transnational Space
Challenging the placeless imaginary in digital memories
The Autonomy of Affect
Listening across borders
"Performance, Utopia, and the "Utopian Performative
Mexican Deejays and the Transnational Space of Youth Dances in New York and New Jersey
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |