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Birds, "Meniskoi," and Head Attributes in Archaic Greece

Bibliographic Data

ID4535291
AuthorsBrunilde Sismondo Ridgway (corresponding author)
Year1990
Volume94
Issue4
Pages583-612
Publication date1990-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAmerican Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 0002-9114 • E-ISSN: 1939-828X
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/505121
OpenAlexW2075381963
LanguageEN
Citations received5
References cited4

Research on metal attachments in Archaic sculpture leads to the conclusion that the "meniskoi" mentioned by Aristophanes as protection against the birds may be a pun or allusion, the meaning of which escapes us today. Spikes and attachment holes on the heads of kouroi and korai should rather be seen in the light of some examples on marble sphinxes, where traces of paint and other devices indicate specific meanings for the metal bars. It is argued that what has usually been taken as simplification in the rendering of Archaic hair should often be read as a head cover; in particular, Antenor's Kore, Akr. 681, is considered an Athena wearing a helmet, in imitation of an earlier image. Elaborate Archaic headdresses may have their roots in prehistoric or Eastern practices, and in turn lead to the complicated fashions of fifth-century temple statues, like the Athena Parthenos and the Rhamnousian Nemesis. Identification must be made on a case-by-case basis, but it seems plausible to suggest that most kouroi and korai represented divine beings, whose distinctive headdresses served as identifiers for the ancient viewers

Allusion · Archaeology · Art · Imitation · Literature · Prehistory · Sculpture · Visual arts · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · History · Psychology

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Unique citing works5
Citations per year0,15
Citation span1992 - 2020 (29)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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