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Processional Imagery in Late Etruscan Funerary Art

Bibliographic Data

ID4537254
AuthorsPeter J Holliday (corresponding author)
Year1990
Volume94
Issue1
Pages73-93
Publication date1990-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAmerican Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 0002-9114 • E-ISSN: 1939-828X
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/505526
OpenAlexW2316711238
LanguageEN
Citations received4

This article investigates the theme of the procession of the magistrate on his journey to the Underworld in Etruscan funerary art. A number of sculpted and painted examples are collected and examined. It is shown that although the Etruscan monuments reflect the stylistic developments of contemporary Greek art, the iconography and compositional models are an Italian development and are not dependent on such outside influences. The imagery of the procession exalts the deceased who served as a magistrate in his city; the evolution of that iconography also reflects the changing political situation in Italy as Rome grew in power. The importance of the positioning and attributes of the deceased magistrate, and the interest in indicating his role, are fundamental to the development of Roman processional imagery

Ancient history · Archaeology · Art · Iconography · Magistrate · Procession · Theme (computing) · Visual arts · Ancient and Medieval Archaeology Studies · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · History

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Unique citing works4
Citations per year0,17
Citation span2002 - 2022 (21)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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