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Iberian Art with Greek Influence

The Funerary Monument of Jumilla (Murcia, Spain)

Bibliographic Data

ID4542640
AuthorsJosé María Blázquez (corresponding author)
Year1988
Volume92
Issue4
Pages503-508
Publication date1988-10-01
Open AccessNo
TypeARTICLE
VenueAmerican Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 0002-9114 • E-ISSN: 1939-828X
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/505246
OpenAlexW2063780272
LanguageEN
Citations received1

A rectangular funerary monument of the fourth-third century B.C. from the necropolis of Coimbra del Barranco Ancho de Jumilla (province of Murcia) is presented. The monument has figures in relief on all four sides—three horsemen, a youth, and a seated woman—and represents a scene of farewell comparable to those on late Classical Greek grave stelae. Although the Jumilla monument is of local manufacture and may be compared to many other works of Iberian art, it also is a testimony to the influence of Greek art in the Iberian peninsula

Ancient Greek · Ancient history · Archaeology · Art · Geography · National monument · Peninsula · Ancient Mediterranean Archaeology and History · Archaeological and Geological Studies · Archaeological and Historical Studies · Classics · History

  • Sculpture préromaine de la Péninsule Ibérique

    Ricardo Olmos, Pierre Rouillard•Documents d Archéologie Méridionale•2002

Citations per year0.04
Citation span2002 - 2002 (1)
Highly citedNo

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