Nothing Was Lost in the Masquerade
The Protean Performance of Genre and Identity in Charles Johnson's Oxherding Tale
Bibliographic Data
| ID | 4546360 |
|---|---|
| Authors | Sonnet Retman (corresponding author) |
| Year | 1999 |
| Volume | 33 |
| Issue | 3 |
| Pages | 417 |
| Publication date | 1999-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African American Review (JOURNAL) |
| Journal identifiers | ISSN: 1062-4783 • E-ISSN: 1945-6182 |
| Publisher | Penn State Press (Project Muse) (PUBLISHER) |
| DOI | 10.2307/2901210 |
| OpenAlex | W276550881 |
| Language | EN |
| Citations received | 2 |
Sonnet Retman, "Nothing Was Lost in the Masquerade": The Protean Performance of Genre and Identity in Charles Johnson's Oxherding Tale, African American Review, Vol. 33, No. 3 (Autumn, 1999), pp. 417-437
Aesthetics · Art · Identity (music · Literature · Nothing · History · Latin American and Latino Studies · Philosophy · Postcolonial and Cultural Literary Studies · Race, History, and American Society
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2010 - 2018 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |