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Black Male Fiction and the Legacy of Caliban

Bibliographic Data

ID4547012
AuthorsKeith Clark (0009-0008-1046-1368, corresponding author), James W Coleman (0000-0002-8946-9133)
Year2003
Volume37
Issue1
Pages157
Publication date2003-01-01
Open AccessNo
TypeARTICLE
VenueAfrican American Review (JOURNAL)
Journal identifiersISSN: 1062-4783 • E-ISSN: 1945-6182
PublisherPenn State Press (Project Muse) (PUBLISHER)
DOI10.2307/1512373
OpenAlexW46092752
LanguageEN

With The Tempest's Caliban, Shakespeare created an archetype used to depict black men as slaves, savages, and threats to civilization. As contemporary black male fiction writers have tried to free their subjects from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into Calibans, rather than subverting the paradigm. Black Male Fiction and the Legacy of Caliban analyzes the modern and postmodern novels of the black male writers John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. Coleman traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations

Art · Literature · American and British Literature Analysis · Caribbean history, culture, and politics · History · Race, History, and American Society

Highly citedNo

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