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Rehearsing Performative Ethics in Theatres of Contemporary War
Bibliographic Data
| ID | 4550235 |
|---|---|
| Authors | Elise Morrison (corresponding author) |
| Year | 2021 |
| Volume | 73 |
| Issue | 4 |
| Pages | 489-510 |
| Publication date | 2021-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/tj.2021.0106 |
| OpenAlex | W4210417587 |
| Language | EN |
This essay examines how strategies of post-dramatic theatre, which include interactivity, co-determined meaning, and an often deliberately porous relationship between reality and representation, are being employed by performance artists and activists to exert pressure on habits of passive spectatorship and immobilized ethical responsiveness that have been induced by spectacular representations of war in mainstream media, entertainment, and theatrical performance
Aesthetics · Art · Drama · Entertainment · Interactivity · Mainstream · Meaning (existential · Multimedia · Performative utterance · Political science · Politics · Rehearsing · Representation (politics · Sociology · Visual arts · Computer Science · Hannah Arendt's Political Philosophy · Law · Military History and Strategy · Psychology · Theatre and Performance Studies
| Highly cited | No |
|---|