The Life of the Constructivist Theatrical Object
Bibliographic Data
| ID | 4550337 |
|---|---|
| Authors | Roann Barris (corresponding author) |
| Year | 2013 |
| Volume | 65 |
| Issue | 1 |
| Pages | 57-76 |
| Publication date | 2013-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/tj.2013.0000 |
| OpenAlex | W2003899323 |
| Language | EN |
| Citations received | 1 |
| References cited | 10 |
Focusing on three of Vsevelod Meierkhold's productions from the early 1920s, this essay argues that the role of constructivism in the theatre was not limited to the creation of the stage set or prototypical models for the accouterments of the new communist lifestyle. Because the constructivist theatrical object redefined function in terms of the relationship among the actor, the performance, and the audience, the constructivist object succeeded through its transformation into a conceptual network of performances
Aesthetics · Art · Constructivism (international relations · Constructivist teaching methods · Epistemology · Function (biology · Mathematics education · Object (grammar · Political science · Programming language · Set (abstract data type · Sociology · Teaching method · Visual arts · Computer Science · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies · Artificial Intelligence
The Total Art of Stalinism
The Death of Tarelkin
"Illusion" and Its Workings in Modern Russian Culture
The Enemy on Trial
"Meyerhold's "The Magnanimous Cuckold
Meyerhold's Production of The Magnificent Cuckold
Clockwise-Counterclockwise (The Vowelless Revolution)
From Faktura to Factography
Faktura
Reflections
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |