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Pigs Might Fly

Dance in the Time of Swine Flu

Bibliographic Data

ID4550382
AuthorsPaul Rae (0000-0001-8717-2697, corresponding author)
Year2011
Volume63
Issue3
Pages403-424
Publication date2011-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2011.0088
OpenAlexW2049097052
LanguageEN
Citations received1
References cited6

This essay takes the coincidence of pandemic H1N1/09 virus (so-called swine flu) and a collaborative dance-making project in Beijing in 2009 as a starting point for exploring some of the corporeal consequences of "Asian modernity." Tasked with researching the dance-making collaboration, I found that public debate about the pandemic, and the attendant restrictions on travel and movement, threw into relief otherwise unnoticed aspects of the choreographic process and the meanings of the resulting performances. Accordingly, the essay locates the project in relation to some of the networks of mobility, meaning, and exchange that impacted inter-corporeal relations within the dance studio, and extended out from it along flight paths and vectors of disease. In so doing, the analysis considers human-animal relations, intercultural collaboration, the status of the dancer in a "risk society," and the ethics of performance research against the backdrop of China's reemergence to geopolitical prominence on the world stage

Aesthetics · Art · Beijing · China · Convention · Dance · Epistemology · Meaning (existential · Media studies · Modernity · Political science · Relation (database · Social science · Sociology · Visual arts · Diversity and Impact of Dance · Law · Philosophy

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Unique citing works1
Citations per year0,33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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