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Trying on The Yellow Jacket

Performing Chinese Exclusion and Assimilation

Bibliographic Data

ID4550559
AuthorsJu Yon Kim (corresponding author)
Year2010
Volume62
Issue1
Pages75-92
Publication date2010-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.0.0305
OpenAlexW1975880905
LanguageEN
References cited11

During the era of Chinese exclusion from U.S. immigration in the early twentieth century, a play that purportedly offered an authentic replication of Chinese drama became heralded as an important and innovative American contribution to the development of modern theatre. This essay examines Harry Benrimo and George Hazelton Jr.'s The Yellow Jacket , which opened on Broadway in 1912, and its strange career from ethnographic amusement to globetrotting masterpiece. It argues that the play benefited from the convergence of contemporary anxieties about the lack of a strong American dramatic tradition vis-à-vis Europe and shifting conceptions of assimilable and unassimilable difference vis-à-vis China. The essay further suggests that the play was able to accommodate such contradictory assessments of its significance, because it assumed an explicitly alienated perspective of the theatre it claimed to imitate. By encouraging its audience both to see the Chinese and see as the Chinese, the play allowed spectators, as well as the "yellowface" performers, to enact a partial crossing of racial boundaries

Aesthetics · Amusement · Art · Assimilation (phonology · China · Drama · Immigration · Linguistics · Literature · Media studies · Perspective (graphical · Political science · Sociology · Visual arts · History · Hong Kong and Taiwan Politics · Law · Philosophy · Psychology · Theater, Performance, and Music History · Theatre and Performance Studies

  • New York before Chinatown

    John Kuo Wei Tchen•New York before Chinatown•2001

  • Unmarked

    Peggy Phelan•Unmarked•1993

  • Yellowface

    Krystyn R Moon•Yellowface•2019

  • Flying Dragons, Flowing Streams

    Rulan Chao Pian, Ronald Riddle•Asian Theatre Journal•1988

  • Yoshitsune and the Thousand Cherry Trees

    Patricia Pringle, Stanleigh H Jones et al.•Asian Theatre Journal•1996

  • The Quaintness-and Usefulness-of the Old Chinese Traditions

    James Harbeck•Asian Theatre Journal•1996

  • Songs of the Exclusion Era

    Nancy Yunhwa Rao•American Music•2002

  • Chinese Theater

    William Dolby, Adolf Eduard Zucker et al.•Chinese Theater•1983

  • Chinese Theater

    Howard Goldblatt, Colin Mackerras•World Literature Today•1984

  • Charles Parsloe's Chinese Fetish

    Metzger, Sean Metzger•Theatre Journal•2004

Citation velocityhistorical
Highly citedNo

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