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Swallowing the Tempest

Asian American Women on Stage

Bibliographic Data

ID4550573
AuthorsKaren Shimakawa (corresponding author)
Year1995
Volume47
Issue3
Pages367
Publication date1995-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherJSTOR (PUBLISHER)
DOI10.2307/3208893
OpenAlexW2315530641
LanguageEN

When Yo Yoshida, a 25 year old Japanese American woman in Wakako Yamauchi's play 12-1-A, laments her fate as a single woman interned during World War Two and consigned to the bachelor women['s] barracks, fellow internee Michio (Mitch) Tanaka chides, That's what you get for being a woman.' Yo's response points out the multiple forces which shape and delimit her existence, not only within the literal confines of the military relocation camp, but in the larger context of U.S. American culture as well: Yeah, for being a woman, she dryly observes. being single. For being Japanese. I think someone up there dealt a stacked deck (50). These forcesracism, sexism and nationalism-not only function to marginalize Asian American women in/from U.S. American society: they work to constitute the borders of U.S. American identity as white Anglo-American, male and heterosexual by delineating a national not-self through a process of abjection

Art · Art history · Context (archaeology · Culture of the United States · Literature · Nationalism · Political science · Sociology · Tempest · Asian American and Pacific Histories · Gender Studies · History · Law

Citation velocityhistorical
Highly citedNo

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