Comic Agony
Mixed Impressions in the Modern Theatre
Bibliographic Data
| ID | 4551441 |
|---|---|
| Authors | Judy Lee Oliva, Albert Bermel |
| Year | 1995 |
| Volume | 47 |
| Issue | 1 |
| Pages | 158 |
| Publication date | 1995-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3208826 |
| OpenAlex | W1998850044 |
| Language | EN |
| Citations received | 1 |
Part 1 Smiling at trouble: virgin sacrifice - The wild duck, Henrik Ibsen frost in the spring air - Spring's awakening, Frank Wedekind sireless in Russia - Uncle Vanya, Anton Chekhov inward journey - The ghost sonata, August Strindberg playing the role for real - Enrico IV, Luigi Pirandello summary 1 - comedy in hiding. Part 2 Taking the joke seriously: jest and superjests - Man and superman, Bernard Shaw dependence day - Ah, wilderness!, Eugene O'Neill society as a brother - The balcony, Jean Genet Dionysus in Sussex - The Norman conquests, Alan Ayckbourn summary 2 - pain in hiding. Part 3 Howling at farce: male heroine - The breast of Tiresias, Guillaume Apollinaire timid exhibitionist - Professor Taranne, Arthur Adamov anything but absurd - Jacques and The chairs, Eugene Ionesco almighty goad - Acts without words I and II, Samuel Beckett for sex and empire - Cloud 9, Caryl Churchill summary 3 - the farcical overlay conclusion: the playful end
Art · Comics · Literature · Visual arts · Cultural Studies and Interdisciplinary Research · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies
| Citations per year | 0.06 |
|---|---|
| Citation span | 2010 - 2010 (1) |
| Highly cited | No |