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Staging the City with the Good People of New Haven

Bibliographic Data

ID4551547
AuthorsSonja Kuftinec, Sonja Arsham Kuftinec (0000-0002-7444-3715, corresponding author)
Year2001
Volume53
Issue2
Pages197-222
Publication date2001-05-01
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2001.0051
OpenAlexW2021981530
LanguageEN
Citations received1
References cited5

In 1997 Long Wharf Theatre's newly appointed Artistic Director, Doug Hughes, arrived in New Haven, Connecticut, driven to discover his adopted city's "center of civic energy." 2 This energy seemed absent from a site whose diverse neighborhoods appeared disconnected from each other and from a cohesive sense of urban identity. Theatre, he believed, could draw together the urban community and allow the city to look at itself. 3 Yet, Hughes understood that the historical relationship between New Haven and its professional resident theatres had been as fraught and disconnected as the urban terrain seemed to be. Both the Yale Repertory and the Long Wharf theatres focused their energies on producing classical texts and new works, unreflective of New Haven, and cast mainly with New York actors. In order to begin revising the relationship between the theatre and the city, Hughes decided he needed not only to reflect New Haven via a representational narrative and semiotically resonant production, but also by inviting the city onstage, casting local residents alongside professional actors. And he knew just the company to work with: Cornerstone Theater. [End Page 197

Aesthetics · Art · Art history · Cornerstone · Haven · Literature · Media studies · Narrative · Safe haven · Semiotics · Sociology · Visual arts · Art, Politics, and Modernism · Cinema and Media Studies · History · Theatre and Performance Studies

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Citations per year0.04
Citation span2002 - 2002 (1)
Highly citedNo
Open DOI
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