Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Composite Bodies of Dance

The Repertory of the Alvin Ailey American Dance Theater

Bibliographic Data

ID4551609
AuthorsThomas Defrantz, Thomas F Defrantz (corresponding author)
Year2005
Volume57
Issue4
Pages659-678
Publication date2005-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2006.0012
OpenAlexW2037000229
LanguageEN
Citations received7
References cited5

The Alvin Ailey American Dance Theater performs a diverse repertory of modern dance works. The demands of a diverse repertory are not invisible, however, and the Ailey company has struggled at times to satisfy the needs of varied choreographic grammars. This essay explores the challenges and implications of a varied repertory for American modern dance artists in terms of dance techniques, critical reception, casting, and the strategies of style as capable of producing recognizable black embodiment by the Ailey company from 1958 through 2005. I suggest that the diverse repertory amplifies African American strategies of versatility as survival, embeds "mastery of form" as a foundational ethic of dance training for its performers, and predicts a "deformation of mastery," through the assemblage of dance techniques by its company members, toward an ultimate valuation of performance style. Through its repertory, the Ailey company stages composite bodies that reveal aesthetic affinities and political connections among disparate dance techniques and histories, laying bare ever-expanding possibilities for concert dance to connect with its audiences

Aesthetics · Art · Concert dance · Dance · Electronic dance music · Style (visual arts · Visual arts · Diversity and Impact of Dance · Music History and Culture · Musicology and Musical Analysis

  • Michael Jackson's Panther Dance: Double Consciousness and the Uncanny Business of Performing While Black

    Open Access•Elizabeth Chin•Journal of Popular Music Studies•2011

  • Radical accounting as method

    Open Access•Harmony Bench, Kate Elswit•Rethinking History•2026

  • Louder and Faster

    Open Access•Deborah Wong•Louder and Faster•2019

  • Crowded Choreographies

    Open Access•Anna Jayne Kimmel•Dance Research Journal•2023

  • Constrained Bodies

    Open Access•Stacey Prickett•Dance Research Journal•2016

  • Louder and Faster

    Open Access•Deborah J Wong, Deborah Wong•Louder and Faster•2019

  • Dancing the Word

    Open Access•Omri Elisha•American Ethnologist•2018

  • Critical moves

    Randy Martín•Critical moves•1998

  • History and memory in African-American culture

    Geneviève Fabre, Robert G O'Meally•History and memory in African-Ameri…•1994

  • Modernism and the Harlem Renaissance

    Houston A Baker, Houston A Jr Baker et al.•Modernism and the Harlem…•1987

  • Dancing Revelations

    Open Access•Jonathan Jackson, Jonathan David Jackson et al.•Dance Research Journal•2005

  • The Work of Dance

    Open Access•Kimerer L Lamothe, Mark Franko•Dance Research Journal•2005

Unique citing works7
Citations per year0,47
Citation span2011 - 2026 (16)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 7

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae