A Thin Beam of Light
"The Purpose of Playing in "Rosencrantz and Guildenstern Are Dead
Datos Bibliográficos
| ID | 4552298 |
|---|---|
| Autores | Robert Egan (0000-0002-5173-0746), R Dnallle Egan (autor de correspondencia) |
| Año | 1979 |
| Volumen | 31 |
| Número | 1 |
| Páginas | 59 |
| Fecha de publicación | 1979-03-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Theatre Journal (JOURNAL) |
| Identificadores de la revista | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/3219455 |
| OpenAlex | W2330545903 |
| Idioma | EN |
| Citas recibidas | 1 |
To quote one of its own phrases, Tom Stoppard's first major work is gathering weight as it goes on.' While we have been variously intrigued and entertained by The Real Inspector Hound, Jumpers, and Travesties, considered responses to these plays are still being formed. Yet Rosencrantz and Guildenstern Are Dead is apparently finding a stable place in our shared opinion. Now over ten years old, the play is still very much with us, as its many recent revivals and its persistence on college reading lists attest. The passage of another decade or two may well find it a modern classic
Art · Beam (structure · Optics · Physics · Visual arts · Cultural Studies and Interdisciplinary Research
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2025 - 2025 (1) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |