Strutting and Fretting
Shakespeare and the Novice Actor
Bibliographic Data
| ID | 4552346 |
|---|---|
| Authors | Robert Barton (0000-0002-3856-1933, corresponding author) |
| Year | 1981 |
| Volume | 33 |
| Issue | 2 |
| Pages | 231 |
| Publication date | 1981-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3207305 |
| OpenAlex | W2315480951 |
| Language | EN |
The actor is probably the most neglected subject in the vast galaxy of Shakespearean research. The novice actor is certainly the most neglected category in the relatively narrow body of literature on performing Shakespeare. Since the actor is the essential final link between script and audience, and the novice (given the commitment of most universities to perform Shakespeare every one to four seasons) is the actor most frequently seen attempting this connection, he offers a research topic well worth exploring
Aesthetics · Art · Composite material · Fretting · Fretting wear · Visual arts · Materials Science · Shakespeare, Adaptation, and Literary Criticism
| Citation velocity | historical |
|---|---|
| Highly cited | No |