The Rakish Stage
Studies in English Drama, 1660-1800
Bibliographic Data
| ID | 4552385 |
|---|---|
| Authors | James A Winn, Robert D Hume |
| Year | 1984 |
| Volume | 36 |
| Issue | 1 |
| Pages | 132 |
| Publication date | 1984-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3207387 |
| OpenAlex | W1984639692 |
| Language | EN |
| Citations received | 6 |
Content and meaning in the drama -- Restoration comedy and its audiences, 1660-1776 / Arthur H. Scouten and Robert D. Hume -- Otway and the comic muse -- The satiric design of Nat. Lee's The Princess of Cleve -- The myth of the rake in Restoration comedy-- Marital discord in English comedy from Dryden to Fielding -- The multifarious forms of eighteenth-century comedy -- The world is all alike -- The London theatre from The beggar's opera to the Licensing Act -- Goldsmith and Sheridan and the supposed revolution of laughing against sentimental comedy
Art · Drama · Literature · Stage (stratigraphy · History · Philippine History and Culture · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History · Geology · Paleontology
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,19 |
| Citation span | 1995 - 2023 (29) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |