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Migration, Fragmentation, and Identity

Zora Neale Hurston's Color Struck and the Geography of the Harlem Renaissance

Datos Bibliográficos

ID4553005
AutoresDavid Krasner (0009-0003-3859-5580, autor de correspondencia)
Año2001
Volumen53
Número4
Páginas533-550
Fecha de publicación2001-12-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaTheatre Journal (JOURNAL)
Identificadores de la revistaISSN: 0192-2882 • E-ISSN: 1086-332X
EditorialProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2001.0111
OpenAlexW4253982971
IdiomaEN

Geography and migration played a key role in the description and formation of the Harlem Renaissance-New Negro era. 3 The Great Migration, which began just prior to World War I and continued well after, had a profound effect both on the cities of the north as well as the southern, rural communities left behind. Indeed, during the 1910s, nearly a half a million African Americans left the rural south for the urban north. 4 Within a decade more than three-quarters of a million would follow, increasing the [End Page 533] black northern population from 1910 to 1930 by 300 percent. 5 Swept up by what Alain Locke called the "wash and rush of this human tide on the beach line of the northern city center," black people were rejecting the south's history of racial violence and lynching, embracing the mass psychology underlying movement, escaping from poor rural farming, and seeking a better future. 6

Aesthetics · African american · Art · Art history · Ethnology · Geography · Harlem Renaissance · Identity (music · Population · Sociology · The Renaissance · American and British Literature Analysis · American Literature and Culture · Demography · Gender Studies · History · Race, History, and American Society

Velocidad de citaciónhistorical
Altamente citadoNo
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