A Voice of Rock as the sound of Prophesy
Discussing Allen Ginsberg's New Jersey poetics and recording of the album "The Lion for real" with guitarist Marc Ribot
Bibliographic Data
| ID | 4554894 |
|---|---|
| Authors | Anna Aublet (Université Paris Nanterre, corresponding author) |
| Year | 2017 |
| Volume | 9 |
| Publication date | 2017-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | IdeAs (JOURNAL) |
| Journal identifiers | ISSN: 1950-5701 • E-ISSN: 1950-5701 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/ideas.1907 |
| OpenAlex | W2735143131 |
| Language | EN |
| References cited | 3 |
December 19th 2014 Issued in 1989, the album “The Lion for Real” is the repository of seventeen poems composed by beat poet Allen Ginsberg. Following on a path initiated by Kenneth Rexroth or Lawrence Ferlinghetti to name but a few, Ginsberg set out to record his poems in spoken words or in Jacques Roubaud’s phrase, “American poetry recovers its lost orality [,] from Allen Ginsberg to Robert Creely.”(Roubaud, 20) On the album, Ginsberg refrained from singing the lyrics the way he used to, for
Acoustics · Art · Humanities · Literature · Poetics · Poetry · Music History and Culture · Poetry Analysis and Criticism
| Highly cited | No |
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