Documentary without Ontology
Bibliographic Data
| ID | 4554929 |
|---|---|
| Authors | Joel Snyder (0000-0003-1685-4484, corresponding author) |
| Year | 1984 |
| Volume | 10 |
| Issue | 1 |
| Pages | 78-95 |
| Publication date | 1984-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Studies in Visual Communication (JOURNAL) |
| Journal identifiers | ISSN: 0276-6558 • E-ISSN: 2326-8492 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.2326-8492.1984.tb00003.x |
| OpenAlex | W2333240192 |
| Language | EN |
| Citations received | 12 |
Bibliographie générale
The sociological imagination and documentary still photography
(In)visible evidence
The visual essay and sociology 1
The Thirtieth Anniversary of the Soweto Uprisings
Fondements épistémologiques de la photographie
The Dynamics of Context
The Visual Domination of the American Indian
Interpreting the fantastic
Face-lifting the death's head
Historical photographs as anthropological documents
Imaging process as ethnographic inquiry
| Unique citing works | 12 |
|---|---|
| Citations per year | 0,32 |
| Citation span | 1988 - 2018 (31) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 10 |