Éléments d'une topologie classique
Les comédies de Molière
Bibliographic Data
| ID | 4556155 |
|---|---|
| Authors | Llewellyn Brown (Université Paris Nanterre, corresponding author) |
| Year | 2007 |
| Volume | 147 |
| Issue | 3 |
| Pages | 69-83 |
| Publication date | 2007-10-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Littérature (JOURNAL) |
| Journal identifiers | ISSN: 0047-4800 • E-ISSN: 1958-5926 |
| Publisher | CAIRN (PUBLISHER) |
| DOI | 10.3917/litt.147.0069 |
| OpenAlex | W1981750437 |
| Language | FR |
Pre-classical theatre was unified by its divine destination; the unity of parts in classicism depends on the spectator, namely the King. Molière's comedies show that its elements, violence, comedy, and the love interest, are linked in the same way as the Real, the Symbolic, and the Imaginary in Lacan's topology
Art · Art history · Classicism · Combinatorics · Comedy · Humanities · Literature · Psychoanalysis · The Imaginary · Topology (electrical circuits · Historical and Literary Analyses · Historical and Literary Studies · Mathematics · Psychology · Renaissance Literature and Culture
| Highly cited | No |
|---|