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Edmund Gibson's Editions of Britannia

Dynastic Chorography and the Particularist Politics of Precedent, 1695-1722

Bibliographic Data

ID4557799
AuthorsRobert J Mayhew (Aberystwyth University, corresponding author), Robert Mayhew (University of Wales, Aberystwyth)
Year2000
Volume73
Issue182
Pages239-261
Publication date2000-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHistorical Research (JOURNAL)
Journal identifiersISSN: 0950-3471 • E-ISSN: 1468-2281
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1111/1468-2281.00107
OpenAlexW2058361357
LanguageEN
Citations received3

Geographical writing has been linked with political discourse as 'advice literature' since the time of Strabo. In the early modern period, geography and related forms of spatial enquiry preserved this role. This article examines the political positioning of William Camden's massively influential chorographical work, Britannia, as updated by a team of scholars led by Edmund Gibson in 1695 and 1722. The 1695 edition is shown to have espoused loyalty to the Anglican church and the Williamite succession through its depiction of Camden and its treatment of the events of the Civil War. This political positioning is shown to have provoked criticism from Francis Atterbury as a minor theme in the convocation controversy. Finally, the second, 1722 edition of Britannia is shown to have shifted to a more blatant Hanoverian loyalism as Gibson and his colleagues grew more fearful of the Jacobites

Aesthetics · Archaeology · Art · Criticism · Depiction · Literature · Loyalty · Political science · Politics · Spanish Civil War · Classics · Historical Art and Culture Studies · Historical Studies of British Isles · History · Law · Scottish History and National Identity

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    Open Access•David Stocker•The Antiquaries Journal•2003

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Unique citing works3
Citations per year0,12
Citation span2000 - 2015 (16)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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