Gertrude Bell's Mesopotamian Archaeological Photographs
Bibliographic Data
| ID | 4587283 |
|---|---|
| Authors | Lisa Cooper (0000-0002-2403-8105), Lisa H Cooper (0009-0009-0143-2765, corresponding author) |
| Year | 2018 |
| Volume | 81 |
| Issue | 2 |
| Pages | 108-119 |
| Publication date | 2018-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Near Eastern Archaeology (JOURNAL) |
| Journal identifiers | ISSN: 1094-2076 • E-ISSN: 1557-5594 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.5615/neareastarch.81.2.0108 |
| OpenAlex | W2809098851 |
| Language | EN |
| References cited | 3 |
Photographs taken by Gertrude Bell during her 1909 and 1911 archaeological trips to Mesopotamia provide not only a valuable record of sites, monuments, and landscapes that have suffered near or complete destruction over the past one hundred years, they also provide insight into the mindset, aims, and agendas Bell held when she produced these images. Her photographs taken at two sites in particular, Assur and Ukhaidir, highlight some of her attitudes and motivations at the time. On the one hand, in the case of Assur, the photos reflect her admiration for her European archaeological colleagues' skill at excavation and concede their claim to the ancient city's glorious past. On the other hand, the photographs highlight her efforts to showcase her own archaeological knowledge. Many also reflect a sympathetic stance towards the people of modern Mesopotamia, acknowledging their vital presence and often regarding them as the inheritors of the country's rich ancient legacy
Admiration · Ancient city · Ancient history · Archaeology · Art · Excavation · Literature · Mesopotamia · Mindset · Polychrome · Archaeological Research and Protection · History · Photography and Visual Culture · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |