Modern African art and apartheid
Bibliographic Data
| ID | 4603290 |
|---|---|
| Authors | Joshua I Cohen (0000-0001-8885-9781, City College of New York, corresponding author) |
| Year | 2020 |
| Volume | 46 |
| Issue | 1 |
| Pages | 189-191 |
| Publication date | 2020-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Southern African Studies (JOURNAL) |
| Journal identifiers | ISSN: 0305-7070 • E-ISSN: 1465-3893 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/03057070.2020.1696034 |
| OpenAlex | W2991682141 |
| Language | EN |
As early as the 1920s and 1930s, some artists in Africa began attracting attention for their work in ink or paint on paper or canvas: Aina Onabolu (1882–1963) from Nigeria; John Koenakeefe Mohl (19
Political science · Sociology · African history and culture studies · Anthropology · Cultural Industries and Urban Development · Gender Studies
| Highly cited | No |
|---|