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Our respect for water is what you have termed fear

The Ocean in the Poetry of Ronelda S. Kamfer and Koleka Putuma

Bibliographic Data

ID4604184
AuthorsBibi Burger (0000-0002-9483-6671, University of Pretoria, corresponding author)
Year2020
Volume46
Issue1
Pages23-38
Publication date2020-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Southern African Studies (JOURNAL)
Journal identifiersISSN: 0305-7070 • E-ISSN: 1465-3893
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/03057070.2020.1697552
OpenAlexW2996139175
LanguageEN
Citations received10
References cited1

In this article, the representations of the ocean in Afrikaans poet Ronelda S. Kamfer’s grond/Santekraam (2011) and in ‘Water’, a poem in Koleka Putuma’s Collective Amnesia (2017) are compared. Meg Samuelson’s identification of trends in the representation of the ocean in 21st-century South African prose fiction is used as a reference point. The aim here is to determine whether the same trends are present in these examples of 21st-century South African poetry. The ocean is depicted in the work of both Kamfer and Putuma as a metaphor for repressed historical trauma. In ‘Water’ the historical trauma relates to the ocean as route of slavery and colonialism; in grond/Santekraam it relates to slavery but also to a historical event, namely the forced resettlement of the fishing community of Skipskop. In some of the novels that Samuelson discusses, the ocean symbolises the unknowable, the irrational and spiritual. In ‘Water’ the ocean has a similar connotation. In grond/Santekraam the ocean is not depicted in spiritual terms, but in two poems an underwater town becomes a space in which a mythological version of events can be re-imagined. The unknowability of the ocean floor is depicted as a space in which the tragic influence of historical events on the present can be explored. The way in which the ocean is represented in the poetry of these two South African female poets therefore overlaps with how it is depicted in prose but also differs in the specifity of its metaphorical connotations

Archaeology · Art · Colonialism · Irrational number · Linguistics · Literature · Metaphor · Mythology · Poetry · Politics · Coastal and Marine Management · History · Philosophy · South African History and Culture

  • Grond/Santekraam en bientang

    Open Access•Bibi Burger•Tydskrif vir letterkunde•2022

  • Plaasfeminism in Ronelda S. Kamfer’s Kompoun (2021)

    Open Access•Hanneke Stuit•Tydskrif vir letterkunde•2022

  • Recasting Slam Poetry

    Open Access•Raphael D'Abdon•Le Simplegadi•2024

  • Water as a metaphorical marker in Setswana and Afrikaans poetry

    D S Matjila•South African Journal of African…•2023

  • Making use of water

    Andrea Thorpe•Journal of the African Literature…•2022

  • Re-enchanted Bodies of Water

    Open Access•Elisabeth Knittelfelder•Scrutiny2•2024

  • Water in the Anthropocene

    Open Access•D C Byrne•Feminist Encounters A Journal of…•2021

  • The Literary Space of Black Women

    Open Access•Shun Man Emily Chow-Quesada•Current Writing•2024

  • South Africa

    Open Access•Crystal Warren•The Journal of Commonwealth…•2021

  • Below the Surface

    Open Access•Irene Enslé Bronner•de arte•2024

  • Southern African Literature

    John Povey, Stephen Gray•African Arts•1980

Unique citing works10
Citations per year0,43
Citation span2003 - 2024 (22)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 8

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