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A methodology for the use of alkyd paint in thermally aged easel painting reconstructions for mechanical testing

Bibliographic Data

ID4692487
AuthorsDaniele Barbera (0000-0002-0728-0434, University of Glasgow), C R T Young (0000-0003-0447-5006, University of Glasgow, corresponding author), Maria Charalambides (0000-0002-9262-3357, Imperial College London), Ambrose C Taylor (0000-0003-0863-8423, Imperial College London), R Zhang (0000-0003-2934-6294, Imperial College London)
Year2022
Volume55
Pages237-244
Publication date2022-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Cultural Heritage (JOURNAL)
Journal identifiersISSN: 1296-2074 • E-ISSN: 1778-3674
PublisherElsevier BV (PUBLISHER)
DOI10.1016/j.culher.2022.03.003
OpenAlexW4226417629
LanguageEN
Citations received2
References cited20

For the preservation of painted cultural heritage on wooden substrates, it is important to understand the fracture mechanisms in the multilayer system of which they are constructed and how the environment plays a role in the composites’ physical properties. Past research has investigated the material response of each constituent layer but much more needs to be done to represent the heterogeneous composite structure of easel paintings. In recent years fracture mechanics concepts have been applied to glue and glue/chalk multilayers. However, few experiments have been conducted on multilayers that include oil paint, due to its very long, and impractical drying time, which can be a few years up to decades depending on the type of study. The paper presents a methodology for the use of thermally aged alkyd paint in easel painting reconstructions for mechanical testing, specifically as a substitute for naturally aged traditional linseed oil paint. Elastic and failure properties of the paint have been obtained from environmentally-controlled tensile tests on thin free-film samples. To obtain the characteristic properties of increased elastic modulus and reduced ductility, a thermal ageing protocol has been experimentally developed. The results are compared with data from the published literature, theoretical models and with 30-year-old samples of cold-pressed linseed oil lead white paint tested within this research work. The final methodology provides the research community with a viable way to produce samples that can be used to understand the behaviour of a (simplified) but complete multilayer system

Alkyd · Art · Composite material · Creep · Ductility (Earth science) · Linseed oil · Painting · Ultimate tensile strength · Visual arts · Building materials and conservation · Conservation Techniques and Studies · Cultural Heritage Materials Analysis · Materials Science

  • A numerical investigation of interfacial and channelling crack growth rates under low-cycle fatigue in bi-layer materials relevant to cultural heritage

    Open Access•R Zhang, Joseph D Wood et al.•Journal of Cultural Heritage•2021

  • A numerical model for predicting the time for crack initiation in wood panel paintings under low-cycle environmentally induced fatigue

    Open Access•R Zhang, Ambrose C Taylor et al.•Journal of Cultural Heritage•2023

  • Hygro-mechanical numerical investigations of a wooden panel painting from “Katharinenaltar” by Lucas Cranach the Elder

    Open Access•Clemens Gebhardt, Daniel Konopka et al.•Journal of Cultural Heritage•2018

  • Modelling of heat and moisture induced strain to assess the impact of present and historical indoor climate conditions on mechanical degradation of a wooden cabinet

    Open Access•Zara Huijbregts, Z Zara Huijbregts et al.•Journal of Cultural Heritage•2015

Unique citing works2
Citations per year0.4
Citation span2021 - 2023 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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