Virtual reconstruction of the historical acoustics of the Odeon of Pompeii
Bibliographic Data
| ID | 4717985 |
|---|---|
| Authors | Umberto Berardi (0000-0002-0508-6195, Toronto Metropolitan University), Gino Iannace (0000-0003-3182-3934, University of Campania "Luigi Vanvitelli", corresponding author), Luigi Maffei (0000-0003-4130-5065, University of Campania "Luigi Vanvitelli") |
| Year | 2016 |
| Volume | 19 |
| Pages | 555-566 |
| Publication date | 2016-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Cultural Heritage (JOURNAL) |
| Journal identifiers | ISSN: 1296-2074 • E-ISSN: 1778-3674 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.culher.2015.12.004 |
| OpenAlex | W2240012835 |
| Language | EN |
| Citations received | 5 |
| References cited | 14 |
Archaeology · Art · Visual arts · Ancient Mediterranean Archaeology and History · Conservation Techniques and Studies · Engineering · History · Maritime and Coastal Archaeology · Architecture
Pompeii Performance Soundscapes in the Amphitheater, the Grand Theater, and the Odeon
The Performances at the Theatre of the Pythion in Gortyna, Crete. Virtual Acoustics Analysis as a Support for Interpretation
The Acoustics of Contiones , or How Many Romans Could Have Heard Speakers
Archaeoacoustics
Semantic-based 3D information modelling and documentation of rockeries in Chinese classical gardens
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,71 |
| Citation span | 2019 - 2025 (7) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |